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In order of (known or likely) recording date
* Nic Potter
The Blue Zone
Line Music (Germany) Date DACD 9.00891 [CD] 1990
1. Ocean Blue (6'11) 2. A Whiter Shade of Blue (3'50) 3. Blue Zone: One (5'47) 4. Blue Zone: Two (3'30) 5. Blue Zone: Three (Gods and Ancestors) (11'13) 6. Hard as Irony (4'42)
All tracks composed by Nick Potter
Nic Potter - keyboards, bass guitar; Duncan Browne - spanish guitar (4, 5); Lindsay Cooper - bassoon (5); Malcolm Duncan - saxophone (6); Guy Evans - woodblock percussion (1); Stuart Gordon - violin (5); Peter Hammill - guitars (1); Huw Lloyd-Langton - guitar (3, 6); Catherine Milliken - oboe (5); Snowy White - guitar (2)
Recorded and mixed at Zomart, The Greenhouse and Terra Incognita Studios, England 1989/1990
Note: Lindsay Cooper is only participating in the fifth of the six tracks. * Various Artists
Dix Improvisations. Victoriaville 1989
Victo Records (Canada) victo CD 09 [CD] 1990
10. Nicosch (Cooper / Nicols / Schweizer) (15’34)
Maggie Nicols - voice; Lindsay Cooper - bassoon, sopranino & alto saxophone; Irène Schweizer - piano
recorded live October 6-9, 1989 at the 7th Festival Internale de Musique Actuelle de Victoriaville (Canada).
Note: There is only this track with Lindsay Cooper. The CD documents also other 1989 Victoriaville performances by Ladonna Smith & Davey Williams, Hans Reichel solo, Paul Plimley & Lisle Ellis, New Winds, J.D. Parran & Ned Rothenberg and Rothenberg solo. * Lindsay Cooper
Oh Moscow
Victo Records (Canada) Victo cd015 [CD] 1991
1. England Descending (7’46) 2. The Allies (5’30) 3. Lovers (4’10) 4. Oh The Passing Of Time, Europe (4’12) 5. Liberty Bonds (6’38) 6. On German Soil (7’20) 7. Curtain Descending (3’10) 8. Prayer (9’57) 9. Forgotten Fruit (4’23) 10. Oh Moscow (6’21)
Lindsay Cooper - bassoon, alto and sopranino saxophones; Alfred 23 Harth - tenor saxophone, clarinet; Hugh Hopper - bass-guitar; Marilyn Mazur - drums; Phil Minton - trumpet, voice; Elvira Plenar - piano, synthesizer; Sally Potter - texts, voice.
Recorded live on October 8, 1989 at the 7ième Festival International de Musique Actuelle de Victoriaville, Canada. IMPROVED ENTRY (December 2005)
* Lindsay Cooper
An Angel On The Bridge
Phonogram/Australian Broadcasting Corporation (Australia) ABC Records 846594-2[CD] / 846594-4[MC] (1991)
1. The Hanging Garden 2. An Angel On The Bridge 3. Suburban Tango 4. Fin De Siecle 5. Savannah 6. The Bush Photographer 7. A Small Town In Germany 8. Botticelli 9. Wiegenlied
All compositions by Lindsay Cooper
Lindsay Cooper - bassoon, soprano saxophone, piano (4); Michael Askill - percussion; Louise Johnson - harp; Cathy Marsh - voice
Recorded June 1990 at Megaphon Studios London
Note: The 9 numbers are included as a single composition in Lindsay Cooper's CD twofer "A View on the Bridge". IMPROVED ENTRY (June 2004)
* Creative Works Orchestra
Willisau Live and More
Creative Works Records (Switzerland) CW CD 1020-2 [CD] (1993)
1. Dance, You Monster, To My Soft Song! (22’44) 12. T.N.T. (Twelfth Night Tango) (3’44)
Both compositions by John Wolf Brennan.
Recorded live at Willisau Jazz Festival, September 1990
Creative Works Orchestra: Corin Curschellas – voice; Lindsay Cooper – bassoon; Bernd Konrad – soprano saxophone (12), alto saxophone (1, 12), baritone saxophone (1); Eckard Koltermann (soprano & baritone saxophone (1), bass clarinet (12); Wolfgang Puschnig (soprano saxophone (1, 12) , alto saxophone (12), Peter Schärli – trumpet; Lars Lindvall – trumpet; Steve Goodman – violin; David Gattiker – cello; Daniele Patumi – double bass; Steve Argüelles - drums; Burhan Öcal – percussion; John Wolf Brennan - piano, conductor.
Note: The title of this compilation is somewhat misleading. The CD contains pieces released on other records by Creative Works, but only in part these musicians belong to the Creative Works Orchestra. The artists of the other 10 tracks are: Werner Lüdi & Burhan Öcal, Peter Schärli Quintet featuring Glenn Ferris, Trio KoKoKo (Franz Koglmann, Eckard Koltermann, Klaus Koch), Corin Curschellas & John Wolf Brennan, Alfred 23 Harth & John Zorn; there are solo performances by John Wolf Brennan and by Klaus Koch, too. Those 10 tracks have not been recorded in Willisau.
Corin Curschellas is called Corina Curschellas. * Lindsay Cooper
Schroedingers Cat
Line/ Femme Music (Germany) FECD 901093 0 [CD] 1991
1. The Realm of Possibility (1’44) 2. The Particle Dance (6’13) 3. Pas de Deux (1’24) 4. Rock Climbing (1’34) 5. Salmon Leap (0’36) 6. Out of Nowhere (1’33) 7. Salmon Leap Reprise (1’35) 8. Alpha Beta (1’35) 9. The Eleven Million Mile High Dancer (1’28) 10. Flying (2’31) 11. Uncertainty Principle (1’51) 12. Strange Ideas (1’28) 13. Skating (2’40) 14. Zen (2’27) 15. Spin, Speed, Collision (1’29) 16. At Least One Star (3’41) 17. Story Telling (3’49) 18. A Cat Dreaming (2’57)
All compositions by Lindsay Cooper, except (11) by Brodrick, Cooper, Jones, Whyman
Dean Brodrick - keyboards, piano, accordeon, bassoon; Lindsay Cooper - bassoon, sopranino saxophone; Stuart Jones - trumpet, cello, bass guitar; Peter Whyman - alto and soprano saxophones, bass clarinet
recorded at HOW Studio, London, September 1990
Note: The compilation "That´s Line Vol. 5"Line Rec./Line Music (Germany) LICD 9.00845 J (1991)[CD] contains track [18] * Trio Trabant a Roma
Le cadran bleu
Alfred Harth CDR without number (Germany/South Korea)[CD]
1. Le Detroit 2. De breede en de smalle weg 3. State of Retrograd 4. Vigilanz
All compositions by Cooper, Harth, Minton (GEMA)
recorded live October, 4, 1991 in Strasbourg (France)
Lindsay Cooper - bassoon, soprano saxophone, electronics; Alfred 23 Harth - alto and tenor saxophone, clarinet, bass clarinet, trumpet, trombone, piano, Casio keyboard, Farfisa organ, melodika; Phil Minton - voice
Note: This CDR is only available directly by Alfred Harth * Trio Trabant a Roma
State of Volgograd
Free Music Production (Germany) FMP CD 57 [CD] 1994
1. Orbital Tent (20’46) 2. et all ways Budapest (5’06) 3. Main Movies And Negentropical Territories (23’34) 4. Strasbourg et amor trans’n’dance (8’46) 5. Beyond Cut (5’52)
All music by Cooper, Harth, Minton
Lindsay Cooper - bassoon, sopranino and soprano saxophone, electronic effects, piano; Alfred 23 Harth - alto, tenor, soprano and sopranino saxophone, clarinet, bass clarinet, melodika, piano, Farfisa organ, Casio CS 1000; Phil Minton - voice, piano
recorded live October 1991 at Dieselstrasse, Esslingen (Germany)
Note: According to Alfred Harth it is very probable that the Esslingen concert was after the Strasbourg concert. Shortly beforte the trio’s concerts they have been on tour with the “Oh Moscow” program and ensemble through Eastern Europe, e.g. one concert in Volgograd after an eight hour’s night transfer from Moscow. At least Lindsay and Alfred feeled in a strange “time tunnel” state after their return from Russia - the state of Volgograd, which lasted during the trio’s October tour. IMPROVED ENTRY* Various Artists
Canaille 91 - Festival für Improvisierte Musik in Frankfurt a.M.
1. (Applauding) (0’41) 2. Auf Takt! (Al Dente) (4’41) 3. African Dawn (Buirette / Cooper / Saul) (2’31) 4. Full moon and empty head (Nozatti / Plenar / Sauer)(6’56) 5. Avanti popolo! (Les Diaboliques)(6’12) 6. Do You Really Have to Speak in Such a Vulgar Way (Nicols / Nozatti / Saul)(4’38) 7. Mouthpiece (Buirette / Cooper / Klein / Roeloffs / Sauer / Streiff) (5’55) 8. Trio Tzigane (Buirette / Cabannes / Roeloffs)(5’27) 9. Je me sens seule [a) (Leandre / Streiff) (5’42); b) Roeloffs / Sauer) (3’53); c) (Cooper / Klein) (2’29); d) (Buirette / Schweizer) (4’10); e) (Leandre/Nozatti) (6’46), f) (Nozatti) (0’14) ]
Michèle Buirette (2,3,7,8,9d) - accordeon; Geneviève Cabannes (8) - double bass; Lindsay Cooper (2,3,7,9c) - bassoon; Beatrix Klein (7,9c) - trumpet, flugelhorn; Joëlle Léandre (5,9a,9e) - double bass; Maggie Nicols (2,5,6,) - voice; Annick Nozatti (4,6,9e,f)- voice; Elvira Plenar (2,4) - piano, keyboard; Annemarie Roelofs (2,7,8,9b) - trombone, violin; Maud Sauer (4,7,9b) - oboe, bass oboe, English horn; Pinise Saul (3,6) - voice; Irène Schweizer (5,9d) - piano, drums; Co Streiff (7,9a) - saxophone
Recorded live November 22-24, 1991 at the Canaille Festival in Frankfurt a.M. (FR Germany)
Originally released on LP; CD version released in January 2000
Note: This independend CD is published and distributed by one of Canaille’s founders and long time organisers: Kathy Goth, Goethestr. 13, Kriftel/Germany (thank You for Your courage and all that work, Kathy!). You can also buy it via http://www.buch-ton.com/c35html
Note: This LP/CD documents among others early recordings of „Al Dente“ - Michèle Buirette, Lindsay Cooper, Maggie Nicols, and Elvira Plenar – (but also of „Les Diaboliques“ with Joëlle Léandre, Maggie Nicols, and Irène Schweizer). * Rainbirds
In A Different Light
Phonogram (Germany) Mercury 518 075-2 [CD] 1993
8. A Waltz For Jane (5’21) 11. Someone Sometime (3’46)
compositions and lyrics by Haage/Franck
Katharina Franck - voice, guitar; Ulrike Haage - piano, keyboards, samples; Lindsay Cooper - bassoon; Alexander Hacke (8) - bowed guitars; Konny Matthieu (11) - double bass; Raoul Walton (8) - bass guitar; Moritz Wolpert (8) - brushed snare drum; David Daoud Coleman - darbouka (8), percussion (11); Tellsque C. (11) - drums; F.M. Einheit (11) - metalls, stones, electric drill
recorded 1992 (?) at Conny’s Studio Neunkirchen (Germany) or at Audio, Berlin.
Note: Other 11 tracks without Lindsay Cooper and in mostly smaller line-ups. Recording was also available on LP 518 075-1 and MC 518 075-4. (8) is dedicated to Jane Bowles. Various Artists
AngelicA 92
CaiCai (Italy) CaiCai Music 003 [CD] 1993
18. Elegy For An Angel (Cooper / Frith / Gebbia / Holmer) (4’50)
Lindsay Cooper - bassoon; Fred Frith - violin, electric guitar; Gianni Gebbia - alto, bird-calls; Lars Hollmer - accordion, keyboards;
recorded May 27th till June 4th 1992 at Bologna, Italy, during AngelicA festival
Note: A document CD of the second edition of the Bologna international music festival Angelica which features P.A.P.A Quartet, Populi Dalpane Ensemble, Looping Home Orchestra, Lindsay Cooper, Stefano Scodanibbio, Gianni Gebbia, Gruppo Ocarinistico Budriese, Fred Frith, Lars Hollmer, Que d'la Gueule. * Various Artists
AngelicA 93
CaiCai Music 004 (Italy)(CD) 1994
23. We Fall (excerpt) (Cooper / Frith / Gebbia / Holmer) (6’27)
Lindsay Cooper - bassoon, sopranino saxophone; Fred Frith - electric guitar, radio, harmonica, voice; Gianni Gebbia- soprano and alto saxophone, voice; Lars Hollmer - accordion
recorded May 27th till June 4th 1992 at Bologna, Italy, during AngelicA festival
Note: Although a document of the third edition of the Bologna international music festival Angelica in 1993, track (23) is a reminder of the festival’s second edition (the only one). The CD features 1993 festival recordings of Riccio delle Quinte, Walter Wierbos, Hans Reichel and All Dax Band. Peter Kowald, Butch Morris, Dietmar Diessner, Steve Beresford, Han Bennink,Tom Cora, Catherine Jauniaux, Ensemble Eva Kant.
Note: According to the Fred Frith discography this piece is also included in the CD documenting the (first) 1991 AngelicA festival which seems to be not very likely. Various Composers
Music by Women Composers
British Women Composers Vol. 1
Lorelt Records (UK) LNT101 [CD] 1992(?)
1. Errolyn Wallen: It All Depends On You 2. Lindsay Cooper: The Road Is Wider Than Long 3. Elizabeth Maconchy: My Dark Hart 4. Nicola Lefanu: The Old Woman of Beare
Lontano Ensemble; Odalinede la Martinez - conductor; Jane Manning - soprano
Recording date not known
Note: LC is not playing on this record * Lindsay Cooper
A View From The Bridge. Composed Works
Impetus Records (U.K.) Impetus 29831 [2xCD] 1998
Disc one:
1. Concerto for sopranino saxophone & strings (29’58). Lindsay Cooper, sopranino saxophone with Orchestra del Teatro Comunale di Bologna; recorded Bologna Opera House on 29 May 1992 2. Ophelia (11’35). Sally Potter, voice; Lindsay Cooper, synthesizer; recorded at Milo Studio & Wolf Studios (1996??) 3. Songs for bassoon & orchestra (25’08). Lindsay Cooper, bassoon with Bay Area Women's Philharmonic; recorded in the First Congregational Church, San Francisco on 11 November 1993.
Disc two:
4. Nightmare (6’04). Phil Minton, voice; Dean Brodrick, piano; Thomas Bloch, ondes martenot; Gerard Siracusa, marimba, percussion; Brian Abrahams, drums; Lindsay Cooper, bassoon, synthesizer, voice; recorded at Premises Studio, London probably 1994. 5. German stories (4’58). Alfred 23 Harth, bass clarinet, soprano saxophone; Lindsay Cooper, sopranino saxophone; Annemarie Roelofs, violin, trombone; Elvira Plenar, piano, synthesizer; recorded at Trion Studio, Frankfurt in March 1987. 6. Singing waters (13’51). Gemini (Ian Mitchell - bass clarinet, Simon Limbrick - percussion, Andres Bell - piano, Bruce Adams - trumpet); recorded live at the ICA, London in January 1994. 7. The rain song (4’03). Maggie Nicols, voice; Ian Mitchell, bass clarinet; recorded at Wolf Studio, London on 17 January 1998. 8. Fragments from God's country (4’59). Lindsay Cooper, recorded at home and at Milo Studio in February/March 1995. 9. An Angel On The Bridge (38’26). Lindsay Cooper, bassoon, sopranino saxophone, keyboard; Michael Askill, percussion; Louise Johnson, harp; Cathy Marsh, voice; recorded at Megaphon Studios in June 1990.
Note: (4) was firstly published 1994 on the French collection “Sarajevo Suite” (Harmonia Mundi ED 13039 HMCD 33). (6) consists of the three (now edited) pieces “In the Archive”, “Mainz” and “Paulskirche” written and recorded for Claudia Alemann’s TV movies “Das nächste Jahrhundert wird unser sein” and “Wir wollen lieber fliegen”. These pieces were separately published 1988 on “A Classic Guide To No Man's Land”. (9) has been published 1991 as a single CD by ABC in Australia. * Lindsay Cooper
Sahara Dust
Intakt Records (Switzerland) Intakt CD 029 [CD]
1. Sahara Dust Part 1 (12’08) 2. Sahara Dust Part 2 (6’15) 3. Sahara Dust Part 3 (8’23) 4. Sahara Dust Part 4 (10’49) 5. Sahara Dust Part 5 (6’19)
All composition by Lindsay Cooper, lyrics by Robyn Archer.
Phil Minton - voice, trumpet; Paul Jayasinha - trumpet, cello, wind synthesizer; Lindsay Cooper - sopranino saxophone, bassoon; Dean Brodrick - keyboards, accordion, bassoon; Elvira Plenar - piano, synthesizer; Robyn Schulkowsky - percussion
Recorded on 3 - 5 August 1992 at Radio Studio Zurich. NEW ENTRY
* Various Artists
... The First 25 Years
NEW ENTRY London Musicians Cooperative (UK) Resonance RES8.2CD/RES9.1CD [magazine + 2xCD] 2000
2nd CD (RES 9.1): Elsewhere
4. Slug (Al Dente) (5'43)
Al Dente: Michèle Buirette accordion; Lindsay Cooper - reeds (recorders?); Maggie Nicols - voice; Elvira Plenar - piano, synthesizer
Track 4 of CD 2 recorded live at The Conway Hall, London, 31 May 1993
Note: The CDs are documenting the activities of the London Musicians Collective over nearly 25 years in 27 more tracks of different and interesting line-ups. * Tim Hodgkinson
Each In Our Own Thoughts
WOOF Records (USA) WOOF 16 [CD] 1994
Megaphone Records (UK) MEGA 014 [CD] 1994
4. Hold to the Zero Burn, Imagine (Hodgkinson) 16.43
Dagmar Krause - voice; Chris Cutler - drums; Bill Gilonis - guitar; Lindsay Cooper - bassoon; Richard Bolton - cello; Guy Segers - bass guitar; Dominic Weeks - xylophone; Nancy Ruffer - flute; Clarissa Melville - flute; John Impett - trumpet; Tim Hodgkinson - keyboards, alto saxophone, clarinet
Recorded autumn 1993 at Wolf Studios, London.
Note: LC appears only on this piece. According to the liner notes it “was written for the HENRY COW group, performed at concerts in 1976-78, but never recorded until now”. NEW ENTRY (November 2004)
* Links
New Reasons to Use Old Words
Musikerhof (Germany) Schlozzton ST9501[CD] (1995)
1. Requiem Part 1 (2'22) 2. Rostock (4'05) 3. Elephant's Up and Down (Mirbach) (4'48) 4. We Join (3'46) 5. Snow (Mirbach) (7'22) 6. Pad Thingy (Broughton)(0'42) 7. Talk (Mirbach) (4'13) 8. Made in England (6'19) 9a. I Remember Owl House Garden Part 1 (Mirbach) (5'49) 9b. I Remember Owl House Garden Part 2 (Mirbach)(4'18) 10. Requiem Part 2 (1'26)
All texts by Broughton and compositions by Mirbach except as indicated
recorded at Surrey Sound Studios, Leatherhead (U.K.) except 6) at Chiswick Studios, and 8) at Premiers Studio London (with brass section recorded at Surrey Sound Studios). No recording date given
Edgar Broughton - vocals; John Marshall - drums; Dick Heckstall-Smith - saxophones(except 5, 7, 8, 9); Mark Charig - cornet (except 4, 5, 7, 8, 9); Wolfgang Mirbach - piano; Clem Clempson - guitar (except 7, 9); Ike Leo - bass guitar (except 7, 9); Lindsay Cooper - bassoon (2); Geoff Williams - baritone saxophone (4, 5, 8, 9); Sid Gould -trumpet (3, 4, 5, 8, 9); Claire Lintott - frenchhorn (4, 5, 8, 9) ; Michael Foster - alto saxophone (4, 5, 8, 9); Mike Kearsey - trombone (3, 5), euphonium (4); Oren Marshall - tuba (4, 9); Duncan Lamont (8). * Sally Potter
Orlando
Varese Sarabande VSD 5413 [CD] (USA) 1993
1. Coming 6’022. Eliza 3’413. In The Garden 3’424. Ice 4’515. Pavanne 2’386. The Kiss 1’587. Broken Ice 1’418. The Poem 0’509. The King’s Tulips 3’0110. After The Battle 0’5211. A Change of Sex 1’4312. The Maze 4’3013. Eye To Eye 3’3114. On The Road 4’2215. Coming (Deep Mix) 8’0216. Coming (Deep Edit) 3’24
All compositions by Potter and David Motion, except (1), (15), (16) composed by Potter, Motion and Jimmy Sommerville. Arrangements by Motion except string arrangement of (14) by David Bedford. Remixes (15), (16) by Motion.
Richard Addison - contra bass clarinet; Alexander Balanescu - violin, viola; Clare Connors - violin; Lindsay Cooper - bassoon; Andy Findon - clarinets, saxophone; Fred Frith - guitars; Chris Lawrence - double bass; David Motion - keyboards; Bruce Nockles - trumpets, flugelhorn; Sally Potter - voice; Jesper Siberg - midi; Jimmy Somerville - voice;
no recording date given
Note: This music is the original motion picture soundtrack of Sally Potter’s film “Orlando” based on Virginia Woolf’s book.
Note: (1), (15), (16) only performed by Somerville. IMPROVED ENTRY (May 2005)
* Various Artists
Sarajevo Suite
Harmonia Mundi ED 13039 HMCD 33 (France) [CD](1994)
1. Nightmare (Lindsay Cooper/Phil Minton) [no time given]
Phil Minton - voice;Dean Brodrick - piano;Thomas Bloch- martenot waves; Gérard Siracusa - marimba, percussion; Brian Abrahams - drums; Lindsay Cooper - bassoon, synthesizer, voice
recorded at Premises Studio, London probably 1994.
Note: Aim of this charity CD was to raise money for the reconstruction of the Sarajevo library destroyed in the Bosnian civil war. As many other pieces on “Sarajevo Suite” (1) is based on lyrics of Abdullah Sidran. All other pieces of the compilation without LC.
Title is also enclosed in Thomas Bloch's compilation "Ondes Martenot/Music for Ondes Martenot" (Naxos (USA) 8.555779 [CD] 2004) * Lindsay Cooper & Charles Gray
Pia Mater - Tender Mother
Resurgence (U.K.) RES 124[CD] 1997
No track informations and no recording date given on CD and liner notes.
Lindsay Cooper - sopranino saxophone, bassoon; Charles Gray - modified synthesizers, samplers
Note: A 5’00 (with fade) extract of Pia Mater is on the sampler Creative Music Quarterly 10. * Rova Saxophone Quartet
Bingo. Compositions de Lindsay Cooper, Fred Frith, Barry Guy, Larry Ochs
Victo Records (Canada) victo cd056 [CD] 1998
1. Face In The Crowd (Lindsay Cooper) 11:472. Initials (Larry Ochs) 13:453. Witch Gong Game (Barry Guy) 4:404. Water Under The Bridge (Fred Frith) 5:415. Can Of Worms (Lindsay Cooper) 5:406. Witch Gong Game (Barry Guy) 26:44
Recorded at Studio Sharkbite at Oakland, California, on April 14, June 23, and September 29, 1996
Bruce Ackley - soprano and tenor saxophone; Steve Adams - alto and sopranino saxophone; Larry Ochs - tenor and sopranino saxophone; Jon Raskin - baritone, alto, and sopranino saxophone
Note: LC is not playing on this record. IMPROVED ENTRY (September 2004)
*Kate Westbrook featuring John Winfield & The Skirmishers
Cuff Clout. A Neoteric Music Hall
Voiceprint (U.K.) VPJP 310 [CD] 2004
1. Even/Uneven (Lindsay Cooper - Kate Westbrook) 2. The Riddle (Jenni Roditi - Kate Westbrook) 3. The Devil And The Canny Lad (James McMillan, arr. Dudley Phillips - Kate Westbrook) 4. My Lazy Goodheart (Errolyn Wallen - Kate Westbrook) 5. Toad’s Washerwoman (Mike Westbrook - Kate Westbrook) 6. Joseph F. Glidden (Chris Biscoe - Kate Westbrook) 7. One Cezanne Apple (Eleanor Alberga - Kate Westbrook) 8. Oceans, Straits, Currents And Seas (Barbara Thompson - Kate Westbrook) 9. Cuff Clout (The Skirmishers Depart) (Lindsay Cooper - Kate Westbrook)
Recorded at Temple Music Studios, Sutton (England), November 2001
Kate Westbrook - vocals; John Winfield - vocals (except on 4); John Alley (2, 7) - piano (on 2, 7) ; Alan Barnes (5) – alto saxophone; Chris Biscoe (1,6, 9) – alto saxophone; Stuart Brooks (1,9) – trumpet; Steve Brown (5) – drums; Mike Carr (5) – Hammond organ; Laka Daisical (1, 6, 9) – piano, keyboards; Nic France (3) – drums; Andy Grappy (1, 2, 6, 8, 9) – tuba; Jon Hiseman (8) – drums; Tim Holmes (2 ,7) – soprano saxophone, Eb-clarinet; Peter King (5) – alto saxophone; Peter Lemer (8) – synthesizer bass; Neil Percy (7) – percussion; Dudley Phillips (3) – bass guitar; Sebastian Rochford (1, 6, 9) – drums; Barbara Thompson (3, 8) – soprano saxophone; Billy Thompson (3, 8) – violin;Errolyn Wallen (4) – piano; Peter Whyman – alto saxophone (2, 7), soprano saxophone (6).
Note: LC is not playing on this record. Music originally commissioned by Kate Westbrook in 1994. |
